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I step my steps barefoot in the bushes of Helsinki, then i stepped on the shit of the hedgehog.

zeroing:

Elizabeth Peyton

zeroing:

Elizabeth Peyton

(Source: sonjabarbaric, via vergen)

vechernyaya:

Eyes as Big as Plates # Agnes II by Karoline Hjorth & Riitta Ikonen
post-impressionisms:

Odalisque Sitting with Board, Henri Matisse.1928.

post-impressionisms:

Odalisque Sitting with Board, Henri Matisse.1928.

(via naked-jpg)

fridaynotes:

Timothy Hull The Discus Thrower Oil on Canvas 2012

fridaynotes:

Timothy Hull The Discus Thrower Oil on Canvas 2012

(via naked-jpg)

likeafieldmouse:

Hugues Erre
tonecones:

Pia Howell

You know like, my lower beautiful eyes

tonecones:

Pia Howell

You know like, my lower beautiful eyes

(via whinyplant)

mazzystardust:

Suprematist Painting (with Black Trapezium and Red Square), 1915

mazzystardust:

Suprematist Painting (with Black Trapezium and Red Square), 1915

(via boogie-queen-of-the-toe-selfies)

rdikuls:

Eloy Morales’ hyperrealistic self-portraits 

rdikuls:

Eloy Morales’ hyperrealistic self-portraits 

(via luumuviikuna)

"Blood" by me
700seas:

so wattle

700seas:

so wattle

(via spirit-newsensation)

f-l-e-u-r-d-e-l-y-s:

In a new project called “OMG, Who Stole My Ads?” French street artist Etienne Lavie makes it his mission to transform the ad space in Paris into an outdoor art gallery. He has been travelling around the city, snatching up posters and billboards, and replacing them with fine specimens of French art from an earlier era. If our senses have over-developed to the point where we need to be visually stimulated at all times outdoors, just to keep up continuity, then we might as well at least occasionally glimpse something that moves us—something we might elect to look at voluntarily. Lavie’s project gives that gift to a lucky subset of Parisian commuters.

(Source: asylum-art, via askamouse)

XXYYXX - You Are Why I Am Invisible

(via whinyplant)